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Tuition fees
Here you can find all of the information on the tuition fees charged here at BGU, so you can be sure you'll know how much your studies with us will cost. -
Admissions
Our Admissions Team offers advice and guidance to incoming students. -
Academic induction sessions
Meet your lecturers at this vital induction -
Timetables
Provisional Timetables2025/26 provisional timetables are now available.Please note that provisional timetables are still subject to change but can provide a guide as to the days you may be expected to attend. -
Our publication scheme
This page explains our publication scheme and how it works. -
International Scholarships
Here at Bishop Grosseteste University (BGU), we welcome students from across the globe. We will always do everything we can to make the transition to living and studying in another country as simple as possible. -
Academic Dress and Awards
Upon completion of your programme and after your degree or professional qualification has been conferred at your ceremony, you will receive your certificate in the post. -
Using Shared Reading to explore the ‘telling’ of death
Earlier this year, at the 2020 Death and Dying conference, attendees came together to discuss how shared reading could explore the ‘telling’ of death. One of the goals of the workshop was to use art to capture a ‘live’ response that included something of the personal and transitory nature of the event. Aimee Quickfall, Head of Programmes for Primary Education and Early Years at BGU, Dr Clare Lawrence, Senior Lecturer in Teacher Development, and Dr John Rimmer, Senior Lecturer PGCE secondary (art and design), share their feedback on the unique and engaging experience. Using Shared Reading to explore the ‘telling’ of death Academic and Creative Responses to Death and Dying Conference, BGU 2020 Dr Clare Lawrence, Aimee Quickfall, Dr John Rimmer Shared Reading is an approach pioneered and developed by Jane Davis to use the read-aloud experience of literary texts to explore group participants’ reflections, thoughts and memories, where the text is presented as a live presence, not as something pre-read or an object of study. This Shared Reading workshop was part of a conference that had as its theme, How to tell the children, and as such used texts that explored the ‘telling’ of death, and the experience of parents’ death as understood by the (adult) child of those parents. The text chosen were Gertrude’s description of Ophelia’s death in Shakespeare’s Hamlet, Act IV sc. v and Charles Causley’s poem Eden Rock. Throughout the workshop Aimee Quickfall took notes visually, sketching and drawing as the participants talked. These sketches sought to capture something of the perspectives and experiences of those who took part, less to create a factual record and more to produce a live response that included something of the personal and transitory nature of the event. This method builds on the work of Heath and Chapman (2018), who believe that ‘a sketch does something different to, say, a photograph or a written field note’ (Heath and Chapman, 2018 p. 715). Back and Puwar (2012) suggest that the nature of data that is generated through sketching is different from that generated through other methods, not least because of what drawing, of necessity, leaves out. The artist must choose what to record, so that the record is always synthesised and personalised in a way that a mechanical record is not. Midgley (2011) believes that this means that drawing can capture passions and tensions in a way that other means of recording do not. The discussions during the workshop were then further synthesised by John Rimmer, who worked what was discussed into a piece of highly abstract animated art, reflecting his interpretation of the themes that were explored. These academic and Creative responses to the workshop will be shared in due course through published output. If you’d like to explore a future as part of diverse learning community, speak to a member of our Enquiries Team, or book onto an Open Event to find out how to take your first steps. References: Back, L., & Puwar, N. (2012). A manifesto for live methods: provocations and capacities. The sociological review, 60, 6-17. Heath, S., Chapman, L., & Centre Sketchers, T. M. (2018). Observational sketching as method. International Journal of Social Research Methodology, 21(6), 713-728. Midgley, J. (2011). Drawing Lives-Reportage at Work. Studies in Material Thinking, (4). Retrieved, 5. -
BGU Sign Memorandum of Understanding with Bangkok University International
As part of Bishop Grosseteste University’s (BGU) ongoing work in Thailand, Wayne Dyble, International Manager, signed a Memorandum of Understanding on behalf of BGU with Bangkok University International (BUI). The Memorandum reflects the maturing relationship between the two institutions which will see BGU PGCE students visit the Bangkok campus with the prospect of BUI undergraduates visiting BGU’s Lincoln campus to study Business English classes. Following the signing ceremony Aimee Quickfall, Head of Programmes for Primary Education and Early Years at BGU, led a Business English taster workshop with around forty BUI students. During the workshop students were encouraged to explore the subtleties of Business English and how language assumes a contextual specificity. Wayne Dyble along with BGU colleagues Professor Chris Atkin and Dr Phil Wood also supported the session. Whilst Thailand the BGU team developed institutional links and worked with a range of Thai stakeholders on a research bid focussed on curriculum reform and teacher standards. For further information on the visit or BGU’s activities in Thailand and other International activities, please contact Wayne Dyble or visit our International web pages. -
Looking forward to your NQT year
This will be completed during your final term and is supported by a CEP Tutorial with your tutor. The CEP is a transitional passport that BA QTS and PGCE trainees create at the end of their initial training. Illustrating how progress has been made in the teaching standards and how evidence-informed judgements on their future needs help map plans for the NQT induction programme in schools. This document is an essential part of moving from Initial Teacher Training into the professional role within teaching settings. The CEP will be completed during your final year with yourself and your tutor/mentor.
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