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Using Shared Reading to explore the ‘telling’ of death
Earlier this year, at the 2020 Death and Dying conference, attendees came together to discuss how shared reading could explore the ‘telling’ of death. One of the goals of the workshop was to use art to capture a ‘live’ response that included something of the personal and transitory nature of the event. Aimee Quickfall, Head of Programmes for Primary Education and Early Years at BGU, Dr Clare Lawrence, Senior Lecturer in Teacher Development, and Dr John Rimmer, Senior Lecturer PGCE secondary (art and design), share their feedback on the unique and engaging experience. Using Shared Reading to explore the ‘telling’ of death Academic and Creative Responses to Death and Dying Conference, BGU 2020 Dr Clare Lawrence, Aimee Quickfall, Dr John Rimmer Shared Reading is an approach pioneered and developed by Jane Davis to use the read-aloud experience of literary texts to explore group participants’ reflections, thoughts and memories, where the text is presented as a live presence, not as something pre-read or an object of study. This Shared Reading workshop was part of a conference that had as its theme, How to tell the children, and as such used texts that explored the ‘telling’ of death, and the experience of parents’ death as understood by the (adult) child of those parents. The text chosen were Gertrude’s description of Ophelia’s death in Shakespeare’s Hamlet, Act IV sc. v and Charles Causley’s poem Eden Rock. Throughout the workshop Aimee Quickfall took notes visually, sketching and drawing as the participants talked. These sketches sought to capture something of the perspectives and experiences of those who took part, less to create a factual record and more to produce a live response that included something of the personal and transitory nature of the event. This method builds on the work of Heath and Chapman (2018), who believe that ‘a sketch does something different to, say, a photograph or a written field note’ (Heath and Chapman, 2018 p. 715). Back and Puwar (2012) suggest that the nature of data that is generated through sketching is different from that generated through other methods, not least because of what drawing, of necessity, leaves out. The artist must choose what to record, so that the record is always synthesised and personalised in a way that a mechanical record is not. Midgley (2011) believes that this means that drawing can capture passions and tensions in a way that other means of recording do not. The discussions during the workshop were then further synthesised by John Rimmer, who worked what was discussed into a piece of highly abstract animated art, reflecting his interpretation of the themes that were explored. These academic and Creative responses to the workshop will be shared in due course through published output. If you’d like to explore a future as part of diverse learning community, speak to a member of our Enquiries Team, or book onto an Open Event to find out how to take your first steps. References: Back, L., & Puwar, N. (2012). A manifesto for live methods: provocations and capacities. The sociological review, 60, 6-17. Heath, S., Chapman, L., & Centre Sketchers, T. M. (2018). Observational sketching as method. International Journal of Social Research Methodology, 21(6), 713-728. Midgley, J. (2011). Drawing Lives-Reportage at Work. Studies in Material Thinking, (4). Retrieved, 5. -
‘World Changing’ Trans Student Experience Project Included in International Social Psychology Text
The CELT-LTIF funded ‘Transforming the Student Experience’ project has been featured as an example of ‘world changing’ applied research in a new book. The project was co designed and developed through a partnership between trans and non-trans students and staff and has seen many of its recommendations, including more inclusive welcome messaging and trans awareness training for staff and students, either achieved or in the process of going through the University Committee structure. Internationally renowned Social Psychologist Wendy Stainton Rogers was impressed by the project following a presentation by Sue Becker and former BGU student Ashley Ravenwood at the BPS Psychology of Sexualities Section 20th Anniversary Conference in July 2018, describing it as: “…a great project with real progress and outcomes, and a good model to follow”. In her recent book, Perspectives on Social Psychology – A Psychology of Human Being, Rogers features the project as a case study to inspire others to come together and make positive changes in their communities. The project team continue to work to ensure findings and recommendations from the project are embedded into BGU policy and practice and are currently working to publish a paper outlining their approach and findings. The project team are: Alex Dale Whistler – Education Studies and Special Educational Needs and Inclusion Jayde Williams – Primary Education with recommendation for QTS Dr Sue Becker – Programme Leader for Psychology Lyndsay Muir – Senior Lecturer Dr Sue Cordell – Head of Learning Enhancement Dr Claire Thomson – Head of the Centre for Enhancement in Learning and Teaching Dr Gianina Postavaru – Lecturer in Psychology If you’d like to become a part of BGU’s research focused community, speak to a member of our Enquiries Team or join us at one of our upcoming virtual open days.
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